导语：莫奈一生遗留500件素描，2000多幅油画及2700封信件。足迹由巴黎大街到地中海岸，从法国到伦敦、威尼斯、挪威，在各地旅行写生，留下无数的作品。下面是小编为大家整理的优秀英语作文，欢迎阅读与借鉴，谢谢!

My Idol

Monet, Claude (b. Nov. 14, 1840, Paris, Fr.--d. Dec. 5, 1926, Giverny) French painter, initiator, leader, and unswerving advocate of the Impressionist style. He is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement was unwavering throughout his long career, and it is fitting that one of his pictures--Impression: Sunrise (Musée Marmottan, Paris; 1872)--gave the group his name. His youth was spent in Le Havre, where he first excelled as a caricaturist but was then converted to landscape painting by his early mentor Boudin, from whom he derived his firm predilection for painting out of doors. In 1859 he studied in Paris at the Atelier Suisse and formed a friendship with Pissarro. After two years' military service in Algiers, he returned to Le Havre and met Jongkind, to whom he said he owed `the definitive education of my eye'. He then, in 1862, entered the studio of Gleyre in Paris and there met Renoir, Sisley, and Bazille, with whom he was to form the nucleus of the Impressionist group. Monet's devotion to painting out of doors is illustrated by the famous story concerning one of his most ambitious early works, Women in the Garden (Musée d'Orsay, Paris; 1866-67). The picture is about 2.5 meters high and to enable him to paint all of it outside he had a trench dug in the garden so that the canvas could be raised or lowered by pulleys to the height he required. Courbet visited him when he was working on it and said Monet would not paint even the leaves in the background unless the lighting conditions were exactly right.

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莫尼特，克劳德(生于1840年11月14日，巴黎，果- 1926年12月5日，吉维尼)法国画家，发起者，领导者，坚定不移的印象派风格的倡导者。他是典型的印象派，在他漫长的职业生涯，他的运动献身的理想是坚定的，这是他的一个图片——印象配件：日出(亩ée Marmottan，巴黎;1872)--给集团的他的名字。他的青年时代是在勒阿弗尔度过的，在那里他第一次作为一个出色的漫画家接着他早期的导师布丹转换为山水画，从他得到他的画门公司的偏好。1859，他在瑞士商学院在巴黎学习，与毕沙罗建立了友谊。两年在阿尔及尔服兵役后，他回到勒阿弗尔，见到了Jongkind，他说他欠我的眼睛`权威教育。然后，在1862，进入巴黎的工作室和Gleyre那里遇到雷诺阿，希思黎，和巴齐尔，与他形成了印象派组的核心。莫尼特对画门出著名的故事，关于他的一个最雄心勃勃的早期作品，花园中的女人(小éE博物馆，巴黎;1866-67)。这幅画大约有2.5米高，能让他画出所有的画，他在花园里挖了一条沟，这样帆布就可以由滑轮提升或降低到他所需要的高度。库尔贝在他工作的时候拜访了莫尼特，他说，除非灯光条件完全正确，否则他不会在背景下画树叶。