Stendhal's "the red", wrote the young French in the story. Julien is a talented, ambitious, have self-esteem, also have a conscience. Many evaluation in even said to be blindly upwardly ambitious. But as I am concerned, I think they are ignored, is in the conscience. Or ignore the standing behind the story of the author to the spirit of thinking.

Even is aspirant. In even the ambitious expansion process is the story the surface is also the most direct clues. In Germany. Reinard holidays, to even think: "I must get in the woman body," "so if one day I success stories, I catch a tutor was accused of such low-down profession, I can tell him, it was love that brought me to this position." But even as a philosopher, his thinking about life, think of Paris, in his mind now is when the hero like napoleon!

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On the means of characterization, stendhal used beyond contemporary writer and psychological depth of mining. A profound and exquisite style shows the hero heart enough space, widely used in the monologue and free association were dug up and various artistic techniques in even deeper conscious activity, and created the "stream of consciousness novels" future generations "psychological novel". "Is a" spirit of philosophy and poetry.

The title for people also caused a dispute, usually, people think the "red" in the title is a symbol of the Napoleonic era uniforms; "Black" restoring ancient ways is wang s monks in black. There are also people who believe that red is the blood of DE, the lady, black is martell mourning; The red is a symbol of bets on the red dot, a symbol and roulette game of life, etc. I think red can also represent in the pursuit of the meaning of life, and the black is mixed in the society in its interests to try very hard to travel, but I do not understand the real meaning of our existence condition!!!!

司汤达的《红与黑》，写的是法国青年于连的故事。于连是一个有才华，有野心，有自尊，也有良心的人。许多评价把于连说成是一味向上爬的野心家。但我个人而言，我觉得他们都忽略了一点，就是于连良心的一面。或者说忽略了站在故事背后的作者进行的精神思考。

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于连确实是野心家。于连的野心膨胀过程是故事最表面也是最直接的线索。在德。雷纳尔放假，于连想：“我一定要在这个女人身上得手，”“那样如果有一天我发迹了，有人指责我赶过家庭教师这样下等的职业，我就可以告诉他，是爱情把我抛到这个职位上的。”但是于连也像一个哲学家，他思考人生，思考巴黎，在他的脑中挥之不去的是当像拿破仑般的英雄。

在人物塑造的手段上，司汤达使用了超出同时代作家所能及的心理深度的挖掘。以深刻细腻的笔调充分展示了主人公心灵空间，广泛运用了独白和自由联想等多种艺术手法挖掘出了于连深层意识的活动，并开创了后世“意识流小说”“心理小说”的先河。是一首“灵魂的哲学与诗”。

对于书名人们也引起了一番争论，通常，人们认为书名中的“红”是象征拿破仑时代的军服;“黑”是王政复古年代的僧侣黑衣。也有人认为，红是德·瑞那夫人的鲜血，黑是玛特尔的丧服;红与黑是象征赌盘上的黑点红点，而轮盘则象征人生的游戏等。我认为红色还可以象征于连的追求人生意义，而黑色就代表社会中形形色色为了自己的利益而拼命奔波，却不理解自己存在真正意义的生存状态吧!